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| Start Date and Time | Event Details | Location |
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| End Day | Withdrawal Drop (WD) period (Multi-Day Event)
Withdrawal Drop (WD) period. A grade of "WD" is assigned to students who officially drop a class. | |
| All Day | Census date
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| All Day | Course Withdrawal Drop (WD) period ends
Course Withdrawal Drop (WD) period ends. Last day to drop without the grade of "W". | |
| All Day | Deadline for faculty to submit Verification of Enrollment Rosters
Deadline for faculty to submit Verification of Enrollment Rosters. | |
| All Day | Deadline to declare a major for current term
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| 12:00 AM | Documentary: Fandango at the Wall
HBO Documentary
FREE Film Screening for the community of the CUNY Mexican Studies Institute
Follows Multi Grammy Award winners Arturo O’Farrill and Kabir Sehgal, as they prepare to record a live album at the U.S.-Mexico border wall. The project is inspired by the annual Fandango Fronterizo Festival, which unites people on both sides of the Tijuana-San Diego border. This festival features son jarocho, a 300-year-old folk music tradition. Before recording, festival organizer, Jorge Francisco Castillo, takes O’Farrill and Sehgal on a tour of Veracruz, Mexico, where this musical mixture of indigenous, Spanish, and African traditions originated. As they travel, they meet legendary son jarocho musicians and recruit participants for the upcoming festival. Their travels culminate with the annual celebration, promoting peace and celebrating unity.
From executive producers, Quincy Jones, Andrew Young, and Carlos Santana, the film introduces the beautiful music of the region through intimate interviews and captivating concert footage. Directed by Varda Bar-Kar.
REGISTER HERE
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| 11:00 AM - 12:00 PM | CUNYfirst - IT Support
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| 2:00 PM - 3:00 PM | Reading with Melissa Castillo Planas: A Mexican State of Mind: New York City and the New Borderlands of Culture
A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in New York City, with members of a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.
A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in New York City, with members of a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.
A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in New York City, with members of a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.
| Leonard Lief Library
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