Join the Lehman College Art Gallery at an opening for the exhibition that will be on view at the Lehman College Art Gallery from Valentine's day through April 28.

Queer Love: Affection and Romance in Contemporary Art presents paintings and photographs that illuminate both individual and universal stories of vulnerability, tenderness, and desire in the LGBTQIA community.

The exhibition, which gathers the work of almost 50 artists, opens in two New York City galleries in February 2023−Lehman College Art Gallery in the Bronx from February 14 to April 23 and La MaMa Galleria in Downtown Manhattan, from February 18 to April 6. Each venue offers works that explore the power and significance of intimate queer familial, romantic, and sexual relationships.

From cheerful, romantic expressions of love to depictions of non-traditional nuclear families, the artwork of these LGBTQIA artists highlights the bond between them as art creators, and those with whom they have the closest ties. The LGBTQIA artists often move from celebrating their love to proclaiming a place for queer people within a larger society. Lushly beautiful, their art creates a series of nuanced and reflective, but largely positive narratives, and love’s transformative impact on both the human experience and the artistic process.

Lehman College proudly presents world-renowned poet and activist Nikki Giovanni. In advance of the College’s opening of James Baldwin’s “The Amen Corner,” she will speak about Baldwin and beyond and share her newest poetry.

• Census Date
• Course Withdrawal Drop (WD) period ends. Last day to drop without the grade of “W”
• Last day to drop for 25% tuition refund
• Deadline for faculty to submit Verification of Enrollment Roster

Castles in the Sky: Fantasy Architecture in Contemporary Art. Now through January 26, 2019
In the Lehman College Art Gallery. 

The buildings in our mind’s eye are limitless.

In our dreams, we unlock doors to unknown passages and climb unending stairs into the darkness of rooms, strange and never seen before.  Not tied to the reality of bricks and mortar or ground and gravity, we imagine any structure ― the American “dream home” on a coveted suburban cul-de-sac beyond our reach, or the wild acid-trip floating balloon palace of a magical unicorn.

Jarring the laws of actual architecture, the imagined palace functions as very real foundation, buttress, and pillar for Castles in the Sky. From Claes Oldenburg’s proposal to replace the Washington Monument with a gigantic scissors to Laurie Simmons’ photograph of candy castles atop a cake weathering a blizzard of confectionary “snow,” the 30 artists in Castles in the Sky develop bizarre, impractical, enchanting, and inspiring unbuilt (and likely unbuildable) designs, and gather inspiration from famous sources.

Lother Osterberg draws from the etchings of 18th-century Italian artist Giovanni Battista Piranesi, the creator of images of dark and cavernous space― the nightmarish side of the architectural dream. Will Cotton’s candy castle represents a fantastical continuum of the art of 19th-century American landscape painter Thomas Cole, who, in Youth (1842), pictures a man rushing towards the mirage of a castle in the sky, the locus of all his youthful dreams. In Salvador Dali’s Gala’s Castle (1974) an elephant on attenuated legs tiptoes across a castle crenellation in Surrealist activity, which we spy, again, today, in Adrien Broom’s improbable scene of a Victorian woman standing in her drawing room open to the sky and filled with a wandering zebra.

This exhibition plays tribute to the ceaseless meanderings of the human imagination and the creative fantasy the hovers in the recesses of every artist’s mind.