Andrés Gómez is a Colombian American poet, speaker, actor, and author of Fractures, winner of the Felix Pollak Prize in Poetry, Hijito, winner of the Broken River Prize and a #1 SPD bestseller, and the memoir Man Up: Reimagining Modern Manhood, released by Penguin Random House. A star of HBO’s Def Poetry Jam, TV One’s Verses and Flow, and Spike Lee’s #1 box office movie Inside Man with Denzel Washington, Carlos is widely known for his viral poems, “Where are you really from?” and “What Latino Looks Like,” which have garnered millions of views online. Winner of the Atlanta Review International Poetry Prize and the Sandy Crimmins National Prize for Poetry, he partnered with John Legend on Senior Orientation, a program to counteract bullying and champion inclusive masculinity among high school students. Carlos is a proud Latinx and father. 

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Castles in the Sky: Fantasy Architecture in Contemporary Art. Now through January 26, 2019
In the Lehman College Art Gallery. 

The buildings in our mind’s eye are limitless.

In our dreams, we unlock doors to unknown passages and climb unending stairs into the darkness of rooms, strange and never seen before.  Not tied to the reality of bricks and mortar or ground and gravity, we imagine any structure ― the American “dream home” on a coveted suburban cul-de-sac beyond our reach, or the wild acid-trip floating balloon palace of a magical unicorn.

Jarring the laws of actual architecture, the imagined palace functions as very real foundation, buttress, and pillar for Castles in the Sky. From Claes Oldenburg’s proposal to replace the Washington Monument with a gigantic scissors to Laurie Simmons’ photograph of candy castles atop a cake weathering a blizzard of confectionary “snow,” the 30 artists in Castles in the Sky develop bizarre, impractical, enchanting, and inspiring unbuilt (and likely unbuildable) designs, and gather inspiration from famous sources.

Lother Osterberg draws from the etchings of 18th-century Italian artist Giovanni Battista Piranesi, the creator of images of dark and cavernous space― the nightmarish side of the architectural dream. Will Cotton’s candy castle represents a fantastical continuum of the art of 19th-century American landscape painter Thomas Cole, who, in Youth (1842), pictures a man rushing towards the mirage of a castle in the sky, the locus of all his youthful dreams. In Salvador Dali’s Gala’s Castle (1974) an elephant on attenuated legs tiptoes across a castle crenellation in Surrealist activity, which we spy, again, today, in Adrien Broom’s improbable scene of a Victorian woman standing in her drawing room open to the sky and filled with a wandering zebra.

This exhibition plays tribute to the ceaseless meanderings of the human imagination and the creative fantasy the hovers in the recesses of every artist’s mind.