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Wendell «ΜΧ» Cooper, Assistant Professor, Department of Music, Multimedia, Theatre and Dance

 Ecstatic Disobedience: Gender Embodiment in Hip Hop, House, and Vogue

Mx. Oops aka Wendell Cooper will examine how Breakin’, House Dance, and Vogue Femme simultaneously critique gender expression norms and expand beyond them. Each dance form is based on a series of foundational movement elements, each borrowing from movement traditions with gendered histories — Salsa, Jazz, Capoeira, and more. By looking at how these Urban Dance forms remix fixed notions of masculinity and femininity, we will unpack their methodology of liberation.  

Wednesday, April 28, 2021

12:30 – 1:45pm

CLICK HERE TO JOIN THE TALK!

Meeting ID: 829 5422 7373

Passcode: 436610

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+1929 205 6099 (New York)

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CUNY Institute for Health Equity (CIHE) Inaugural Speaker’s Series on:
Health Equity and Health Disparities


Joan Davis Nagel joined NCATS’ Division of Clinical Innovation (DCI) as Program Director in September 2014. She oversees several of the multimillion-dollar Clinical and Translational Science Awards (CTSA) and works collaboratively with principal investigators to provide programmatic direction and oversight of their clinical and translational science projects. Nagel also represents NCATS on DCI’s Workforce Development Domain Task Force Lead team, a committee of 60+ representatives from CTSA Program hubs that help to provide strategic direction on education and workforce issues that impact the clinical and translational science workforce.
Nagel earned a B.A. in biology from Williams College, an M.D. from the State University of New York at Buffalo and an M.P.H. from the Johns Hopkins School of Hygiene and Public Health. Her background includes training in obstetrics and gynecology, followed by a residency in general preventive medicine at the Johns Hopkins Medical Institutions. Before assuming her current role, Nagel spent five years as a program director in the National Institutes of Health (NIH) Office of Research on Women’s Health, providing oversight for two large interdisciplinary women’s health research programs (Building Interdisciplinary Research Careers in Women’s Health and the Specialized Centers of Research on Sex Differences) and worked collaboratively with researche
Dr. Nagel earned a B.A. in biology from Williams College, an M.D. from the State University of New York at Buffalo and an M.P.H. from the Johns Hopkins School of Hygiene and Public Health. Her background includes training in obstetrics and gynecology, followed by a residency in general preventive medicine at the Johns Hopkins Medical Institutions. In addition, Dr. Nagel worked as a city clinician for the New York City Department of Health Bureau of Sexually Transmitted Diseases and as a medical consultant for the Urban Women’s Retreat, a shelter for survivors of domestic violence in Harlem.

• Course Withdrawal period. A grade of “W” is assigned to students who officially drop a class.

Castles in the Sky: Fantasy Architecture in Contemporary Art. Now through January 26, 2019
In the Lehman College Art Gallery. 

The buildings in our mind’s eye are limitless.

In our dreams, we unlock doors to unknown passages and climb unending stairs into the darkness of rooms, strange and never seen before.  Not tied to the reality of bricks and mortar or ground and gravity, we imagine any structure ― the American “dream home” on a coveted suburban cul-de-sac beyond our reach, or the wild acid-trip floating balloon palace of a magical unicorn.

Jarring the laws of actual architecture, the imagined palace functions as very real foundation, buttress, and pillar for Castles in the Sky. From Claes Oldenburg’s proposal to replace the Washington Monument with a gigantic scissors to Laurie Simmons’ photograph of candy castles atop a cake weathering a blizzard of confectionary “snow,” the 30 artists in Castles in the Sky develop bizarre, impractical, enchanting, and inspiring unbuilt (and likely unbuildable) designs, and gather inspiration from famous sources.

Lother Osterberg draws from the etchings of 18th-century Italian artist Giovanni Battista Piranesi, the creator of images of dark and cavernous space― the nightmarish side of the architectural dream. Will Cotton’s candy castle represents a fantastical continuum of the art of 19th-century American landscape painter Thomas Cole, who, in Youth (1842), pictures a man rushing towards the mirage of a castle in the sky, the locus of all his youthful dreams. In Salvador Dali’s Gala’s Castle (1974) an elephant on attenuated legs tiptoes across a castle crenellation in Surrealist activity, which we spy, again, today, in Adrien Broom’s improbable scene of a Victorian woman standing in her drawing room open to the sky and filled with a wandering zebra.

This exhibition plays tribute to the ceaseless meanderings of the human imagination and the creative fantasy the hovers in the recesses of every artist’s mind.